With us today: Mabell Holand, Nina Mauno Schjønsby, Delphine Bedel, Antonio Cataldo, Lara Okafor, Liv Brissach, Daniel Mariblanca, and beautiful guests.
Photo by the eminent Paulina Tamara.
Photos in the album below by the eminent Paulina Tamara.
The programme
12:00
Doors open, host Mabell Holand
Part 1: ‘“Oh no, is that so ...” On the forgotten and/or neglected narratives’
- Writer, freelance editor, and publisher Nina Mauno Schjønsby on the journal Forloren Skildpadde (‘Mock Turtle’), published in 1837 by Camilla Collett and Emilie Diriks, and the book about to be launched (IGWTLI Publishing / Karmaklubb* & Tekstbyrået).
- Delphine Bedel, feminist artist, curator, lecturer, editor, writer, and biohacker, on her research on the meaning and status of the term feminism in a historical and contemporary perspective.
- Conversation with Nina Mauno Schjønsby and Delphine Bedel moderated by Antonio Cataldo.
For years, Nina and Delphine have been digging archives and researching parts of our history that have not gotten the attention it deserves. During this symposium, the two of them will meet for a conversation on history as we know it, and a nuanced perspective on what really happened — and what that could mean today.
Page 20 in Nina’s upcoming book about Emilie Diriks and Camilla Collett and their journal Forloren Skildpadde. Here: Four self-published magazines with an independent editorial departments and built on collective processes. From top is Girls Like Us (2005–; ed. Jessica Gysel, Katja Mater, Sara Kaaman, and Julie Phillips; Brussels: Jessica Gysel); the fanzine Ovary Action (27/2005; Oslo: Valérie Rauzier & Ingvild Krabbesund); the fanzine The laugh of the Stri(p)ped Hyena (no. 2/2008; ed. Valérie Rauzier & Ada Dukic; Oslo/Montpellier); and the fanzine Album (8/2013; established in 1998 and still being edited and published by Elise Storsveen & Eline Mugaas, Oslo).
Research material on feminism. Delphine Bedel will tell you more.
13:30
Part 2: ‘In/outside: The body and the virtual’
- Writer, software developer, and organiser Lara Okafor in conversation with art historian and curator Liv Brissach on the impact of new media on shaping perception of our bodies, identity, conceptions of visibility and transparency.
14:30
Part 3: ‘The (Queer) Body’
- Dancer and choreographer Daniel Mariblanca presents his work with 71BODIES, a transgender inclusive dance and performance company that centers bodily experiences from with/in marginalized communities in its artistic creations while broadening the perspective of dance and performance.
- Daniel in conversation with poet and activist Mabell Holand
The symposium is in English and will be open for questions from everyone in the room. Times are approximate, we will keep it fluid and take breaks when needed. Changes and nice surprises may occur, please stay tuned for updates. Go ↗︎ here for the Kunstnernes Hus event profile. Facebook link ↗︎ here. For the 2nd chapter, 20 February 2024, go ↗︎ here. ID: No. *** 🎟️ FREE / First come, first served <3 Please show up early. HOT TIP: Nice to see the Boudry/Lorenz show, too.*** Produced in collaboration with Kunstnernes Hus, Oslo. Realised with generous support from the Fritt Ord Foundation.
Soundtrack while you wait, ↗︎ click.
Find an image from Mariblanca’s session printed in Lara Okafor, Billedkunst art journal no. 1 2024, ↗︎ here.
71BODIES, ↗︎ NORMAL (2021). Photo by Ursula Kaufmann. Courtesy of 71BODIES:
71BODIES. The Basement (2023). Photo by Ursula Kaufmann. Courtesy of 71BODIES.