*** We are involved in Pauline Boudry / Renate Lorenz’ exhibition ‘↗︎ Walk Silently in the Dark Until Your Feet Become Ears’ and host the opening conversation — thought and pleasure — at Kunstnernes Hus, Oslo, 10 November. You are all invited! Doors open 18, conversation starts at 19. ↗︎ Further information here. ***

Further reading, quote Kunstnernes Hus: “This winter we have the pleasure of presenting an exhibition by the Berlin-based artist duo Pauline Boudry and Renate Lorenz in our skylight halls. With five choreographers and performers, Pauline Boudry and Renate Lorenz have developed the two-channel film installation Les Gayrillères, co-produced by Kunstnernes Hus, Oslo. The film’s choreography shows a series of steps for a gay guerrilla, building on the unpredictable power of bodies moving in concert, experimenting with forms of togetherness. The camera films a continuous dance in a 360° movement where the interplay between darkness and light, visibility and opacity, is central. The right to be opaque, to control one’s own degrees of visibility, is at the core of the work.
The work adopts its title from Monique Wittig’s seminal, feminist novel Les Guérillères in which a tribe of warrior women wage an attack on patriarchal society. The Gayrillères’ pleasures are indivisible from the sadness of political backlash: the endless violence in public spaces, and the withdrawal of rights by authoritative governments.

The exhibition also includes a series of sculptures that choreograph the relation between on-screen and off-screen, sounding and listening, between the delayed character of the filmed performance and the liveness of visitors moving through the exhibition space. Hair, chains, microphones, and dance floor seem to have directly stepped down from the screen, having formerly existed in the diegetic universe as a wig, a prop, or part of a costume. Now they follow their own score and take refuge in their new appearance as abstracted artworks, presented in the white cube. By focusing on the fragile moment of entering a stage and claiming space — a moment of visibility as well as vulnerability — the exhibition engages questions of pleasure, power and political change.”

After the opening, we gather at Trekanten for the official club night, 23:00–03:10. Further reading ↗︎ here. Karmaklubb* & Friends: Queer Community Club (waste, DJ Brødskive, and Teddy) x Deeva D (GBR; presented by Karmaklubb*) x Proteus (GBR; presented by inkandconcrete).
The club event is also linked to Saturday’s event, 11 November: “‘Swap’n’Support’: Raising money for Abortion Care and LGBTQ+ Rights in Malawi” by Sex & Politikk in collaboration with Clothing Swap Oslo and Trekanten, more info ↗︎ here. The exhibition was up till 25 February 2024.

Photos in this album by Julie Hrnčířová.

↓ See all 12 images

Les Gayrillères is co-produced by Kunstnernes Hus, Oslo; Arsenic, Lausanne; and DE SINGEL, Antwerp. It was exhibited at Whitechapel Gallery in London in 2022, and is currently on view at the 35th Bienal de São Paulo in Brasil. The film installation is the third in a film trilogy that includes Moving Backwards (2019) and (No) Time (2020). The films have been shown in several countries, and Moving Backwards was presented in The Swiss Pavilion at the Venice Biennale in 2019.

Pauline Boudry and Renate Lorenz have been working together in Berlin since 2007. They produce installations, performances, and objects that choreograph the tension between visibility and opacity. In the last years, they have been interested in the relationship between movement and resistance practices. Their performers are choreographers, artists and musicians, with whom they are having a long-term conversation about the conditions of performance, the violent history of representation, the pathologization of bodies, but also about companionship, glamour, and resistance.

The exhibition is supported by the Municipality of Oslo, the Ministry of Culture and Equality, Sparebankstiftelsen DNB, Goethe-Institut and the Embassy of Switzerland in Norway.